Leap Into Song: "Rococo" by Arcade Fire

This is the third installment of my recurring "Leap Into Song" series, where I examine my thoughts about different songs and artists that have influenced me. Previously I have covered songs by Muse and Lady GaGa.

I've been getting more and more interested in Arcade Fire recently. I particularly enjoy their songs "Culture War", "Modern Man", and "Wake Up", but "Rococo" most of all strikes a chord with me.

As a philosophy and political science buff, I appreciate the implied digs at postmodernism and cynicism in the lyrics. The "modern kids" downtown are "using great big words they don't understand". Many times I have listened to this song and sympathetically exclaimed, "F*$% Derrida!". But that's just the first level of resonance I have with this song.

As a person with Asperger's Syndrome, I am often prone to fits of echolalia. To avoid being hypocritical by using a complex word without explaining myself, echolalia is "an automatic repetition of vocalizations" (according to Wikipedia). Further information about echolalia and other symptoms of autism can be found here and here. In my own life, I often repeat thoughts or sentences that I have just said - to myself or to people around me - or I'll keep returning to the same ideas over and over.

In "Rococo", Arcade Fire repeats variations of the word "rococo" over and over again, but they vary the notes, the length of the word, and the melodies behind the words. It's a very tasteful and affirmative similarity to echolalia. The way the saying of the word "rococo" becomes bolder and more confident throughout the song, the way that the music swells to a peak of assurance...it's a wonderful synchronicity.

In a world where people are "moving towards you with their colors all the same", it's a positive thought to embrace many kinds of diversity, including neurodiversity. While I'm not at all sure that Arcade Fire is intentionally delivering this message, I have chosen to interpret "Rococo" in such a way that I find personally fulfilling and affirming.

I encourage all people to live their lives in a way that reflects strongly upon their own strengths, no matter what other obstacles they may face. I am thankful for the ability to imagine a positive vision of my life, including my unique features such as my occasional echolalia. These things that make me who I am are neither good nor bad, but they are something I want to celebrate, and I will continue to find ways to see the positive aspects of my personality. I am grateful, lastly, to Arcade Fire for making such great music which has helped me stay optimistic and feel more capable as a person.

Leap Into Song: "Telephone" and "Bad Romance" by Lady GaGa

This is the second installment of my recurring "Leap Into Song" series, where I examine my thoughts about different songs and artists that have influenced me. Previously, I covered the song "New Born" by Muse.

Currently, two of my favorite songs are "Telephone" and "Bad Romance" by Lady GaGa. I love writing while listening to these songs - their rhythms are food for my brain. They're also both catchy as anything I've ever heard before.

I love the defiance of "Telephone". I love the sustained beat. I love the independence conveyed by the lyrics: you could be spending time with me, but you blew me off. Now, I'm doing what I want to do, and I couldn't care less. It's a great feeling that the speaker communicates to us.

I love the lyrics "sometimes I feel like I live in Grand Central Station. Tonight, I'm not taking no calls, 'cause I'll be dancin'". I also love the progression of "I'll be dancin'", repeated several times. I always feel like I can take on the world when I hear that part of "Telephone". The spirit of the song matches whatever goal I have that I want to accomplish. There's some serenity in the knowledge that the speaker knows she'll be dancing. There's pride, defiance, and confidence. That's a fantastic group of characteristics to celebrate.

In "Bad Romance", I also like a lot of the progression in the music and lyrics. The cumulative, sustained effect is great. Each part of the song builds onto the next. "I want your ugly"/"I want your disease"/"I want your everything, as long as it's free"/"I want your love" is just great, as a formula - and it is a formula, one that is clearly evident, and almost poetic in nature: "I want [specific thing]", "I want [specific thing]", "I want [specific thing with extra detail]", "I want [overall quality that ties everything together]". It's a stanza! If it were in print, it would jump off the page. When I hear this progression in the song, its spirit flows through my mind, my arms, my legs -- all the parts of my body move. Yes, it's a crappy pop song! And it's poetry! It's a terrific combination!

"I want your drama"/"The touch of your hair"/"I want your leather-studded kiss"/"You're insane"/"I want your love" is also great. This section of the song is formatted similarly to the one I just discussed, but there are some key differences. "I want [specific thing]", "[extra detail]", "I want [specific thing]", "[extra detail]", I want [quality that ties everything together (repeat)]. The stanza repeats, but it's altered enough to retain its interest and vitality. I like that effect. 

Perhaps I'm especially inspired by the steady rhythms and the steadily increasing power of the repeated musical and lyrical ideas in "Telephone" and "Bad Romance". When I hear these songs, I feel more alive. I feel that I'm growing stronger and more dangerous. I like those feelings a lot! 

I also feel quite Nietzschean when I'm listening to "Telephone" and "Bad Romance", but that could be a whole other essay! It's probably the implied recognition of my own power and confidence that I feel when I hear these songs that reminds me of Nietzsche. Certainly, Lady GaGa is not a master craftsperson of music or lyrics, but her creations are an impressive craft of their own. Ultimately, why do people enjoy pop songs? The best reason to listen is to help feel better, and that's certainly true for how I feel while I'm listening to "Telephone" and "Bad Romance", and that alone is enough for me to recommend them to you.

Leap Into Song: "New Born" by Muse

I wish to begin what I hope will be a recurring feature on this blog, although I can't guarantee that. While I am hopelessly inept when it comes to singing or playing any instruments, I am still a keen lover of music. So I hope to occasionally post a song that's one of my favorites or just taps into something within me in an especially vivid way, and to describe some of my thoughts related to each song.

My first example is from one of my favorite current bands, Muse. Admittedly, "New Born" isn't one of my favorite songs by Muse, but it interests me for another reason. I listened to "New Born" again today for the first time in a long time, possibly ever. Instantly, I loved the music - but the lyrics underwhelmed me. So I set a challenge for myself: could I write lyrics for "New Born" that I liked better than the ones Muse wrote originally?

Here's the original video for Muse's song "New Born":

Now, I hope you will listen to the video so you can hear the original lyrics and understand their role in this song. If you have trouble following along in the video, here are the original lyrics to "New Born" (copyright 2009, Muse/Warner Music Group):

                                                                  Link it to the world

Link it to yourself
Stretch it like a birth squeeze
The love for what you hide
The bitterness inside
Is growing like the new born
When you've seen, seen
Too much, too young, young
Soulless is everywhere

Hopeless time to roam
The distance to your home
Fades away to nowhere
How much are you worth
You can't come down to earth
You're swelling up, you're unstoppable

'cause you've seen, seen
Too much, too young, young
Soulless is everywhere

Destroy the spineless
Show me it's real
Wasting our last chance
To come away
Just break the silence
'cause I'm drifting away
Away from you

When you've seen, seen
Too much, too young, young
Soulless is everywhere

Destroy the spineless
Show me it's real
Wasting their last chance
To come away
Just break the silence
'cause I'm drifting away
Away from you

Now, here are my new lyrics to "New Born" - note, I tried to keep as many of the elements of the original lyrics intact as I could -- because of how they work with the music, and because I want to trust Muse's judgment as much as possible -- even when I try to "improve" their lyrics, haha:

Say it to the world

Say it to yourself

Shout it like new birth pangs

The unknown power you hide

The burning love inside

Is growing like the new born

Since you've gone, gone

Too far, you know, know

Silence is everywhere

It's your time to roam

We all call one place home

We all start from nowhere

How much is life worth?

We all walk the same earth

Keep looking up, you're unstoppable

'cause you've gone, gone

Too far, you know, know

Silence is everywhere

Always be fearless

Show me what's real

Using our last chance

To find our way

Just break the silence

'cause we're trying to say

that we're here, too

Since you've gone, gone

Too far, you know, know

Silence is everywhere

Always be fearless

Show me what's real

Using our last chance

To find our way

Just break the silence

'cause we're trying to say

that we're here, too

What do you think? Try watching the video again, but hum my lyrics this time. Does it work? Which version of the lyrics do you prefer? (I do realize that my more optimistic lyrics may undermine the darkness of the music, but I feel the two could be complementary. However, I am not a world-famous musician - you, dear reader, probably aren't, either - but I could still use your input!) Thanks!