Life Precedes Words

[Ed. note: I actually composed the following essay before I wrote Better Living Through References, even though I published the latter essay first on this blog. I intended the essay below to serve as my reintroduction to this blog, this time:]

I have allowed some time to elapse since the last time I updated this blog. That is true for a variety of reasons. In the past few months, I have started a paid internship which has become a temporary job. I am cautiously optimistic.

I am hoping to secure something more permanent while I continue my current work. I am heartened to have something steady while I keep searching, but anxious for the low margin of error I still have. I have faith in the skills that have gotten me to this more positive place, but still feel trepidation for the uncertainty ahead, just as I often have in the last few years.

I've also spent some much needed time relaxing with my friends. In between worrying about my work, whether I can pay my bills, or how I'm going to coordinate my living situation, staying in touch with my closest friends has been more invaluable than ever.

While I have wanted to expand my social circle, by and large, I'm spending time with the same people that I knew when I left college. Another side project, my writing, has been largely hit-or-miss. I've faced prolonged dry spells and feelings of inadequacy, laced with some intriguing experiments and inspirations. I do feel that I have progressed as a person, especially as a young adult seeking to be more independent and responsible. That quest continues to be my main objective.

I have been discussing my interest in the disability community with people from several organizations. My work in health and aging advocacy provides a natural segue to the disability world. I devoured the book "No Pity" by Joseph Shapiro, which chronicles the development of the disability rights movement and describes the challenges that people with disabilities face and overcome.

In parallel to this exploration, I have spent more time reflecting upon my identity as a person with a disability. I have not reached the end of my deliberation, nor do I expect to reach an end - everything I consider is a reaction to the evolving situations in my life, and I relish the opportunity to grow as a person and immerse myself in new experiences (and as clichéd and stilted as that sounds, I believe that attitude and embrace it fully).

So, I am trying to manage all of these different ambitions and necessities before I feel composed enough to express myself coherently on other topics - before I have time, or before I have inclination. I realize this is all elaborate excuse-making, but I also have a cynical faith that the best inventions of human reason tend to be rationalizations. In a last-ditch effort to be somewhat genuine, I am sharing my rationalizations here.

I hope to write more often in the near future. I hope to update this space with something to pique interest. Whether that hope materializes, I cannot predict. I have often hoped on one hand, and schemed to act differently on the other hand. If I have any shot at delivering on these promises, I must scheme to reverse myself again, and return to my original intentions - which change too rapidly to measure.

Yes, those who know me and follow my vain attempts at writing have learned that uncertainty is my crucible and my companion...the catalyst that overwhelms my reluctance, feeds my devotion, and yet, undermines my ability to articulate anything close to the thrill and fervent terror my mind evokes.

My entire life is a somersault: when I dare to reach new heights, spinning in the air to keep my balance, I am stretched so far that I am unable to bring my thoughts to the surface. It is in that brief moment afterwards, when I am standing on solid ground but still remember the sensations of leaping, that I can properly share a true vision of movement.

Okay, that's the round-up of what I haven't been doing, and what I don't know. Eventually, I'll return to tell you about another time when I haven't done something else...

Leap Into Song: "Telephone" and "Bad Romance" by Lady GaGa

This is the second installment of my recurring "Leap Into Song" series, where I examine my thoughts about different songs and artists that have influenced me. Previously, I covered the song "New Born" by Muse.

Currently, two of my favorite songs are "Telephone" and "Bad Romance" by Lady GaGa. I love writing while listening to these songs - their rhythms are food for my brain. They're also both catchy as anything I've ever heard before.

I love the defiance of "Telephone". I love the sustained beat. I love the independence conveyed by the lyrics: you could be spending time with me, but you blew me off. Now, I'm doing what I want to do, and I couldn't care less. It's a great feeling that the speaker communicates to us.

I love the lyrics "sometimes I feel like I live in Grand Central Station. Tonight, I'm not taking no calls, 'cause I'll be dancin'". I also love the progression of "I'll be dancin'", repeated several times. I always feel like I can take on the world when I hear that part of "Telephone". The spirit of the song matches whatever goal I have that I want to accomplish. There's some serenity in the knowledge that the speaker knows she'll be dancing. There's pride, defiance, and confidence. That's a fantastic group of characteristics to celebrate.

In "Bad Romance", I also like a lot of the progression in the music and lyrics. The cumulative, sustained effect is great. Each part of the song builds onto the next. "I want your ugly"/"I want your disease"/"I want your everything, as long as it's free"/"I want your love" is just great, as a formula - and it is a formula, one that is clearly evident, and almost poetic in nature: "I want [specific thing]", "I want [specific thing]", "I want [specific thing with extra detail]", "I want [overall quality that ties everything together]". It's a stanza! If it were in print, it would jump off the page. When I hear this progression in the song, its spirit flows through my mind, my arms, my legs -- all the parts of my body move. Yes, it's a crappy pop song! And it's poetry! It's a terrific combination!

"I want your drama"/"The touch of your hair"/"I want your leather-studded kiss"/"You're insane"/"I want your love" is also great. This section of the song is formatted similarly to the one I just discussed, but there are some key differences. "I want [specific thing]", "[extra detail]", "I want [specific thing]", "[extra detail]", I want [quality that ties everything together (repeat)]. The stanza repeats, but it's altered enough to retain its interest and vitality. I like that effect. 

Perhaps I'm especially inspired by the steady rhythms and the steadily increasing power of the repeated musical and lyrical ideas in "Telephone" and "Bad Romance". When I hear these songs, I feel more alive. I feel that I'm growing stronger and more dangerous. I like those feelings a lot! 

I also feel quite Nietzschean when I'm listening to "Telephone" and "Bad Romance", but that could be a whole other essay! It's probably the implied recognition of my own power and confidence that I feel when I hear these songs that reminds me of Nietzsche. Certainly, Lady GaGa is not a master craftsperson of music or lyrics, but her creations are an impressive craft of their own. Ultimately, why do people enjoy pop songs? The best reason to listen is to help feel better, and that's certainly true for how I feel while I'm listening to "Telephone" and "Bad Romance", and that alone is enough for me to recommend them to you.